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Shelter of the Opaque

by Vanishing

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  • Compact Disc (CD) + Digital Album

    Comes with a 4-page booklet, artwork and layout by Lewis McLean

    Includes unlimited streaming of Shelter of the Opaque via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Maxim 05:37
Cities have their own glow their light moves in changing ways bold lines cross streets Skylines shift as habits cede strange markings, strange behaviours Light, observing, it’s age unknown its truth, chasing messages deceased memory, place lost amongst the shadows of this marble ornate wilderness complete The threads of past lives ribbons and chimes still visible from the rooftops mirrored in glass a refracted kiss on this new year’s island, barely afloat the weight of luggage and time If this glass was water, if this city was water as it so often feels then swim towards fading kind banished to the darkened yards Share the truth of a city facade so good at disguising pain The arrogant possessor may yet lose its stake If drowning, let it drown If falling, let it fall, If breaking, let it break If blinded, be it so as this is the view of the world I know The rest? Escape in half truth Love in cities can be so cruel Cruelty is to know your fingers, cannot be touched your memories and places they get harder to find Light, shadow, misshapen air waits here observing but so long observing, in a city that cannot remember its useful shape
2.
Surgical 04:16
Fine gold thread hangs light around your neck, a weave of chains that begs to be touched it begs me to touch it hoping contact with the things you crave the worlds we create may move us closer, spare us the winter Eyes wide checked with the glance of rivals Are you asking me to hold you or telling me to leave? Unsure, I cannot do either My thoughts escape to a place still, serene without the noise or pressure of wants and fears And here, I think how I want to think I speak how I want to speak I become that greater part of me And yet I am alone and as this world fades all that’s left to feel are bruised edges Stone, marble, all hard surface never softens, never cedes always pushing, scarring fighting for its place What have I learnt? I think about you quick soft clothes under your hands fine gold thread, so delicate
3.
Castling 04:19
How quickly I feel the seas embrace the shortest step engulfs my calves, beyond my waist Waves press and retreat through the neat metallic cold of the solitary beach Rusted frames litter the land, bold and broken, dateless in their style They held something, formed something took a position and stayed Flashes of amber weave through the sky So fleeting, I doubt they are real If they were, I feel they could reawaken this heavy body, stitched and seal grey Freedoms I’ve yet to taste Submerged wheels no longer turn Hooks no longer take flesh Lights no longer fill the distance Creatures are blunted into sand What still exists, deception, magic? Which way is stronger to lean?
4.
I dream of circles they dance at dusk they overlap, cascade, they link and break Forever they move and forever they stay Letters and characters Numbers and marks circles of tigers slow moving tigers some near, some unseen in seance they creep until they void the round Through vaults they now roam in corners they hold guarding new circles as they unfold chalk lines on curtains fish drink dark oil slow swells, clusters, escapes that close Blood fills the inflating heart blood, more black than red blood, like a stranger, an unwanted guest cards too warn to use. Bright tiger tooth, so bright against the moon baited tiger tooth waiting, hewn Have you ever felt your blood was a stranger? An unwanted guest an emptiness awake inside your veins That makes hollow your days Have you ever felt yourself exposed Naked, aghast for all to see? A thing, angled bone, to be ridiculed no longer in a human home Candlelight of the waking world flame dance bodies sheen of black plastic, lacquer Ribs, plinths signs of false floors wax crawls to the end pulls heavy on the ledge As clouds dreams gather in rooms of no matter no gravity, no floor no taste or smell Just a cold dread of circles, of tigers
5.
Five limbs curled inward of this creature, firm in its solitude firm hard star amongst the shell and bones Soon to be awash in spray spray of electric surf, the white edge the reviving drink it could not take how cruel to see futures arrive too late Seas, earth, for each, a home break these ties and face death Streams press soft lines through the sand Under drift, starched canvass and burned callouses of this dead star Though fallen from the sky Some life changes with ease Viruses, AI, the fight forever to be first Perhaps roots might grow out of the earth and into the sky a new type of growth, realities need not hurt Plateaus change and rebuild each day Creature, reshaped, pressed flat, returned Though never to be among the living and never to be traveller again
6.
Attica 04:37
The darkest most beautiful bruise Spans the arms of years perfect the spectrum, violet, rouge horizons of deepest leather Cut sides, mirrored oils that flecks of yellow turn through What emerges is to be seen But I would guess That without redress it could put a person off breeding A heart encased in plastic film Is still a heart until it is no more A single drum in some wild cavernous space the music of love and hope If you cannot hear it and you're happy enough to sit there watching images of the strangulation of men and animals then I would probably ask If your case is packed as it seems you've already checked out Fields of wild birds thin legs, match smoke run the silhouette of the sun forever they run The inside of a human tongue no longer with its scream contained no longer able to shout demands Ghost teeth bite but leave no mark airways filled with noxious gas given the option if I were the child I would climb back into the womb
7.
Marked intentions narrative paths Screens that split across a heart cities endure two types of night and never shall they meet Artificial hosts to the daily dance the ancient trap the unused luck of yesterdays never taken up Where teeth loosen and drift the cold strap of malicious highs tension creeps along this mile Anxiety is the station Its freight, human time Years shunting hard miles, all to power against unending tides wild ships that never show their face The quiet spectre, in the night alive forgotten trees, earthly treasures cling to rivers opened the vim and vigour on up high observes another crop another history that dies This unending waste on which we move on which is overlaid with amazing towers tall escapes Yet built on mulch, soft sand, clay footprints from which flowers stray hoping they will never know their roots, their shape how the wind and world coerced the way they face Forever invisible to never look up In dampened twilights
8.

about

Vanishing's stunning album Shelter Of The Opaque seizes quotidian reality and either scrapes away at the veneer to reveal the awful machinery of how things are underneath or overlays it with a gossamer filigree to suggest how they could be instead.

Work started on building the skeleton of the album in 2018 with a session at the utopian cultural space, WORM in Rotterdam, featuring his trusty lieutenant, saxophonist Karl D’Silva (Drunk In Hell) and modular synth player Sam Weaver (Cuspeditions); while strings were added later by Abstract Concrete members Otto Willberg and Agathe Max plus Ecka Mordecai in Manchester. Smith guided the sessions via a series of simple imagistic commands, only adding his vocals after the music was done.

The album is by turns more skeletal, more ambitious and more affecting than previous work, retaining some of Vanishing’s former berserk intensity and industrial grind, but as a single colour among many on a vivid new palette. Today the musical backing – which is as much informed by cold wave electronics, free jazz, Japanese ambient and discrete minimalism as it is by DIY noise – serves to aid Smith’s lyrics, not to obscure them, a seachange in process he puts down to “becoming more confident as a writer… more honest, more vulnerable. I was digging down deeper into personal subject matter that was rocking me about a bit more, searching for ideas with more emotional resonance.”

Words by John Doran

credits

released March 15, 2024

Gareth Smith - Vocals, Electronics
Karl D'Silva - Saxophone, Electronics, Organ, Drum Machines
Sam Weaver - Modular and Analogue Synths, Tape Delay
Agathe Max - Violin
Ecka Mordecai - Cello
Otto Willberg - Double Bass
Howard Jacobs - Clarinet, Waterphone

All songs written and performed by Vanishing
Arranged by Gareth Smith, Karl D'Silva and Sam Weaver

Recorded by Sam Weaver and Karl D'Silva at WORM Rotterdam and various locations around the North of England
Mixed by Ross Halden and Vanishing at Hohm Studio, Bradford
Mastered by Ross Halden at Hohm Studio, Bradford

Graphic design by Lewis McLean

Released by The state51 Conspiracy

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about

Vanishing Manchester, UK

Based in Manchester, Gareth Smith is an artist and ex-engineer from Hull. Smith assembles music that reflects these industrial roots. Words are his raw material; storytelling, communication that is created, assembled, and reworked until meaning and purpose is found

He creates music, movement pieces and film to help shape a story, using a shifting cast of collaborators, changing with each project
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